APX

APX1200II APX1000 APX700II APX700II-12 APX700IIL APX600FM APX600 APX600M
Body Shape APX Shape APX Shape APX Shape APX Shape APX Shape APX Shape APX Shape APX Shape
Scale Length 650mm (25 9/16”) 650mm (25 9/16”) 650mm (25 9/16”) 634mm (25”) 650mm (25 9/16”) 634mm (25”) 634mm (25”) 634 mm (25”)
Body Length 490mm (19 5/16") 490mm (19 5/16") 490mm (19 5/16") 490mm (19 5/16") 490mm (19 5/16") 490mm (19 5/16") 490mm (19 5/16") 490 mm (19 5/16")
Total Length 1031mm (40 9/16") 1031mm (40 9/16") 1031mm (40 9/16") 1055mm (41 9/16") 1031mm (40 9/16") 1022mm (40 1/4") 1022mm (40 1/4") 1022 mm (40 1/4")
Body Width 384mm (15 1/8") 384mm (15 1/8") 384mm (15 1/8") 384mm (15 1/8") 384mm (15 1/8") 384mm (15 1/8") 384mm (15 1/8") 384 mm (15 1/8")
Body Depth 80-90mm (3 1/8" - 3 9/16") 80-90mm (3 1/8" - 3 9/16") 80-90mm (3 1/8" - 3 9/16") 80-90mm (3 1/8" - 3 9/16") 80-90mm (3 1/8" - 3 9/16") 80-90mm (3 1/8" - 3 9/16") 80-90mm (3 1/8" - 3 9/16") 80-90 mm (3 1/8" - 3 9/16")
Nut Width 43mm (1 11/16”) 43mm (1 11/16”) 43mm (1 11/16”) 46mm (1 13/16”) 43mm (1 11/16”) 43mm (1 11/16”) 43mm (1 11/16”) 43 mm (1 11/16”)
String Spacing * 11.0mm 11.0mm 10.7mm 10.0mm 10.7mm 10.0mm 10.0mm 10.0 mm
Top Material Solid Spruce Solid Spruce Solid Spruce Solid Spruce Solid Spruce Flamed Maple Spruce Spruce
Back Material Solid Rosewood Flamed Maple Nato or Okume Nato or Okume Nato or Okume Locally Sourced Tonewood ** Locally Sourced Tonewood ** Locally Sourced Tonewood **
Side Material Solid Rosewood Flamed Maple Nato or Okume Nato or Okume Nato or Okume Locally Sourced Tonewood ** Locally Sourced Tonewood ** Locally Sourced Tonewood **
Neck Material African Mahogany Nato Nato Nato Nato Locally Sourced Tonewood ** Locally Sourced Tonewood ** Locally Sourced Tonewood **
Fingerboard Material Ebony Rosewood Rosewood Rosewood Rosewood Rosewood Rosewood Rosewood
Fingerboard Radius R400mm (15 3/4") R400mm (15 3/4") R400mm (15 3/4") R400mm (15 3/4") R400mm (15 3/4") R400mm (15 3/4") R400mm (15 3/4") R400 mm (15 3/4")
Bridge Material Ebony Rosewood Rosewood Rosewood Rosewood Rosewood Rosewood Rosewood
Nut Material Urea Urea Urea Urea Urea Urea Urea Urea
Saddle Material Urea Urea Urea Urea Urea Urea Urea Urea
Bridge Pins Black ABS with White Dot Black ABS with White Dot Black ABS with White Dot Black ABS with White Dot Black ABS with White Dot Black ABS with White Dot Black ABS with White Dot Black ABS with White Dot
Tuners Die-cast Gold w/ Black Buttons(TM29GB) Die-cast Gold(TM29G) Die-cast Chrome(TM29T) Die-cast Chrome(TMW28) Die-cast Chrome(TM29T) Die-cast Chrome(TM29T) Die-cast Chrome(TM29T) Die-cast Chrome (TM29T)
Body Binding Mahogany + Cream Cream + Black Cream + Black Cream + Black Cream + Black Ivory + Black Ivory + Black None
Soundhole Inlay Abalone + Rosewood Abalone + Rosewood Rosewood + Mahogany Rosewood + Mahogany Rosewood + Mahogany ABS + Abalone ABS + Abalone ABS + Abalone
Pickguard None None None None None None None None
Body Finish Gloss Gloss Gloss Gloss Gloss Gloss Gloss Matt
Neck Finish Matt Gloss (Matt for NT color Variation) Matt Matt Matt Matt Matt (Gloss for BL, VW color variation) Matt
Electronics SRT (SYSTEM63) SRT (SYSTEM63) SYSTEM64 SYSTEM64 SYSTEM64 SYSTEM65 SYSTEM65 SYSTEM65
Controls Vol/Mic Type Select/3-band EQ/Tuner/Focus-Wide/Resonance/Blend/AFR Vol/Mic Type Select/3-band EQ/Tuner/Focus-Wide/Resonance/Blend/AFR Vol/3-band EQ/Tuner/Mid FQ Vol/3-band EQ/Tuner/Mid FQ Vol/3-band EQ/Tuner/Mid FQ Vol/3-band EQ/Tuner/Mid FQ Vol/3-band EQ/Tuner/Mid FQ Vol/3-band EQ/Tuner/Mid FQ
Connections LINE OUT LINE OUT LINE OUT LINE OUT LINE OUT LINE OUT LINE OUT LINE OUT
Strings Yamaha FS50BT or D'Addario XT Yamaha FS50BT or D'Addario XT Yamaha FS50BT or D'Addario XT D'Addario XT Yamaha FS50BT or D'Addario XT .012/.016/.024/.032/.042/.053 .012/.016/.024/.032/.042/.053 .012/.016/.024/.032/.042/.053
Accessories Soundhole Cover, Hex Wrench Soundhole Cover, Hex Wrench Soundhole Cover, Hex Wrench Soundhole Cover, Hex Wrench Soundhole Cover, Hex Wrench Hex Wrench Hex Wrench Hex Wrench
Case Reinforced Carrying Bag None None None None None None None
  • * Gemessen von der Mitte eines Bridgepins zur Mitte eines daneben liegenden Pins
  • ** Zur Minimierung von Abfall und im Sinne einer nachhaltigen Beschaffung, werden je nach Verfügbarkeit verschiedene Arten von Tonholz verarbeitet.